Today is Friday, October 17, 2025, the eve of our upcoming “No Kings” rally tomorrow. I’m going to make this entry brief since I’m prepared to join thousands of others on the street tomorrow early in the morning.
Maybe in preparation for attending this nationwide event, I saw Raoul Peck’s new documentary on that revolutionary and prescient writer George Orwell entitled Orwell: 2 +2=5 at the IFC Center today. The close-to-two-hour documentary unspools scene after scene of present- and past-day abuses of power as witnessed in totalitarian governments, the U.S. included here, with the rendering of MAGA world embodied in President Dump’s first term. Peck is the director of I Am Not Your Negro, chronicling the writings of James Baldwin.
In this timely documentary, Orwell is heard in voiceover by actor Damian Lewis detailing scenes from his life, beginning with his birth in 1903 during the Bengal Presidency of India. He was the son of a career civil servant who held the post of Sub-Deputy Opium Agent, and when he was born, he was known as Eric Arthur Blair. He adopted the Orwell pen name in 1932. At one point , he served as a police officer in Burma, an experience that opened his eyes to colonial imperialism and aggression toward a country’s native population. As he wrote later, “In order to hate imperialism, you have got to be part of it.” And he certainly was and always regretted it.
Peck’s biodocumentary is drawn from the author’s diary as well as his published writings and proceeds in chronological fashion across a minefield of Orwell’s political and literary provocations, from Hitler to Stalin to Franco to M16 to rival leftist journalists to his own ill health. The injustices Orwell saw raised hackles that stayed with him for the rest of his life. He is credited with writing, “Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism.”
The film unearths a large trove of clips of films that illustrate the Orwellian antipathy toward authoritarian societies. His one famous work, adapted several times for the cinema, and a television production (which I never knew existed) was 1984. The most recent adaptation was released in 1984 and starred Richard Burton and John Hurt as Winston Smith. The TV production starred Eddie Albert as Winston and another 1956 adaptation starred Edmond O’Brien as Winston. There are also numerous animated treatment of Orwell’s animal fable called Animal Farm, most noticeably by John Stephenson and Ralph Steadman.
In his comments on Nazism, Orwell pondered how the “goosestep is one of the most horrible sights in the world. It is simply the affirmation of naked power.”
The images of Dump and his clueless supporters drew guffaws and sneers from me in the audience. I was surprised no one said to hush up. Actually, I wanted to throw my nonexistent popcorn at the screen, but I didn’t.
Some of Orwell’s entries were written on the Isle of Jura in Scotland, where he wrote his masterpiece, 1984, and in sanatoriums, where Orwell was treated for the tuberculosis that took his life in 1950.
The origin of the documentary’s title comes from an infamous scene from 1984 where the protagonist, Winston Smith, is shown four fingers, and told it’s actually five by his tormentor. This is the 1956 version starring Edmond O’Brien as Smith.
It’s the applications of the themes inherent in the book to today’s world that burn the brightest. It starts with the way Orwell described the malleable nature of language and how regimes have always twisted their words to hide their crimes. Does this sound familiar? A more recent example was in 2022 when monster Vladimir Putin called the invasion of Ukraine a “special military operation.”
Our own country is not spared either from using “Doublespeak,” a central tenet in 1984, in a montage of former President George W. Bush’s orders to invade Iraq, which were later to be debunked by reality. There are examples of doublespeak in such authoritarian countries like China, Sudan, even Israel, and right here in the United States.
One particularly disturbing montage displays the thousands of books that are banned in this nascent totalitarian country; I believe the actual number was over 3,000. One list that scrolls on the screen shows book bans in U.S. states from 2022 to 2023, and the list is so long that it only gets through the authors whose names start with “A.” Contemplate that little kernel of truth here! We’re now a country that bans books.
Censorship, like rewriting history which is the province of today’s Republican Party, is of a piece of the totalitarianism playbook. Then we see the footage from the January 6th storming of the U.S. Capitol and attempts to rewrite the history of this event ever since it occurred. A chilling quote from this prescient writer on this phenomenon, “From the totalitarian point of view, history is something to be created rather than learned.”
The scariest observation Orwell made in 1984 is the notion that “no one ever seizes power with the intention of relinquishing it.” It’s almost 80 years since Orwell wrote that and it’s just as true today as when Orwell wrote it, and it will become more true unless the people speak up, march, and vote.
For those marching tomorrow, I wish a safe and enjoyable experience.
Depending on how I feel, I’m not sure I will post my blog tomorrow. I might stay in the city after the demonstration breaks up. It’s not definite.
Anyway, have a great weekend.
And so it went!
